THE SILVER VIOLIN CONCERTO


A New Violin Concerto by Sheila Silver

To be created in 2020-21 and premiered and recorded in 2021-22

This project has applied for funding from the Canada Council for the Arts Concept to Realization grant program.

“Only a few composers in any generation enliven the art form
with their musical language and herald new directions in music.
Sheila Silver is such a visionary.”

- Wetterauer Zeitung, Germany

Celebrated American composer Sheila Silver has expressed interest in composing a Hindustani-inspired classical Western violin concerto for Canadian violinist Emmanuel Vukovich. This project has applied for funding from the Canada Council for the Arts, and is in the process of identifying a consortium of orchestras both in Canada and the US to perform and record the work in 2021-22.

Sheila Silver

An important and vital voice in American music today, Silver has written in a wide range of mediums, from solo instrumental to large orchestral works, and from opera to feature film scores. Her musical language is a unique synthesis of tonal and atonal worlds, coupled with a rhythmic complexity which is both masterful and compelling. Audiences and critics praise her music as powerful and emotionally charged, accessible, and masterfully conceived:“Silver speaks a musical language of her own, one rich in sonority, lyrical intensity and poetic feeling” - Chicago Tribune.


A Thousand Splendid Suns

Silver recently completed an opera based on Khaled Hosseini’s international bestselling novel, A Thousand Splendid Suns, which has been commissioned by the Seattle Opera and will be premiered in Seattle’s McCaw Hall in October 2022. In order to develop a musical vocabulary with which to evoke the color of Afghanistan where the narrative of her opera takes place, Silver has made several trips to India to study with Pandit Kedar Narayan Bodas, a leading singer and teacher of Hindustani music in India. This is Western music, but Silver's use of raga and Hindustani taals (rhythmic cycles) informs her musical choices.

Sheila Silver - A Thousand Splendid Suns (New Works Forum, Hudson, NY, 2017)

The Hindustani sound world has also filtered into other recent compositions by Silver such as her Nocturne, Based on Raga Jog, premiered by Gilbert Kalish at the Chamber Music Society of Lincoln Center in 2015 and Being in Life, Concerto for Alphorn, French horn, 5 Tibetan singing bowls, and string orchestra. This piece, commissioned by the Fromm Music Foundation for Seattle’s Philharmonia Northwest, Julia Tai, conductor, and Ann Ellsworth, horns, was premiered in October, 2019, and will receive its European premier on April 18, 2020 in Rome with the Parco della Musica Contemporanea Ensemble to celebrate the 100th anniversary of the American Academy in Rome.For a full biography and more examples of Ms Silver work please visit her website: https://www.sheilasilver.com


A New Musical Language

Ms Silver is interested in bringing all that she has learned and discovered from creating A Thousand Splendid Suns to the new violin concerto. She is particularly interested in the violin because it is one of the few Western instruments that can more easily approach many of the sounds native to Hindustani music. For the listener the concerto will have a particular colour that is informed by the influence of Hindustani music but will still be firmly rooted in the traditions of Western music. In these times of cross-cultural sharing, Vukovich is eager to expand the repertoire with this new work.

According to Silver, every music lesson with Pandit Bodas begins with chanting OM and every raga is first explained through its spiritual intention and the melodies upon which improvisation in Hindustani music is constructed, like in jazz, are all very specific prayer melodies. One does not study music in India without studying its spiritual origin. Music, as a non-verbal form of communication, reaches very deep. This work will speak to people who are interested in music created from a spiritual perspective. While this project is intended for general audiences of orchestras in concert venues around the world, the fact that it reaches into non-Western traditions, will interest a general public both in the West and perhaps also draw people of non-Western traditions who may like to see how their own culture is influencing Western culture. Ultimately, it is an opportunity to celebrate and share our common humanity through our different cultures.

Pandit Kedar Narayan Bodas

The creation of a new work of art, like the birth of an individual, is a process with a long and at first invisible gestation period, and a future that is ultimately impossible to predict. The central aim of this project is the creation of a musical work which will speak to audiences across cultural barriers, geographical distances, and through time.


A New Violin Concerto

The opportunity to collaborate with a celebrated and established composer on a new violin concerto and to be given the privilege to premier this work is an honour that few violinists are given. This is a rare privilege for Vukovich to work with Silver on this new ground-breaking work and to explore her musical language. For Vukovich, this form of exploration first began almost twenty years ago with the discovery of Yehudi Menuhin and Ravi Shankar's legendary recordings : West meets East. Vukovich was first introduced to, and inspired by these recordings through his mentor John McDowell who transcribed some of these works for Emmanuel to play - including Swara Kakali.

Ravi Shankar & Yehudi Menuhin - West Meets East - Swara-Kakali

Vukovich has been deeply inspired by Menuhin’s artistic legacy and personal journey including the practice of yoga and meditation. In one of his latest recordings of the Beethoven Violin Concerto, Menuhin introduces distinctly Indian melodic and harmonic material in the cadenza of the 3rd movement. This gesture of crossing musical and cultural boundaries within a work is the aim of this new violin concerto by Sheila Silver and will be of the greatest significance, not only for Vukovich’s artistic development and career, but more importantly, to inspire violinists and audiences around the world and into the future.